Petina Rose, Vintage Sconce

Here she is - finished and complimented with a lovely wooden just-for-looks lamp post mounted under her!

Because I love "The Process" and I love seeing how other artists design and execute their work, I've posted the "in progress" photos here!

I began by selecting and wrapping the frame. I'm also in cahoots with a work worker who crafted the decorative stem that you see in this photo.





The next step was to decide on the right lining. I really like the warmth of the gold silk. Here I've clipped both the gold and a white to the frame to help me decide.

Lining the shade makes it stronger and more durable. Also, I don't like seeing a bare bulb shine through a shade.

Layering my chosen outer fabrics over my choice of linings helps me decide which one to choose.

Then I cut out my cover fabrics and clipped them in place so I could look for balance and pattern.

Stitching the lining in place is one of the most gratifying parts of making the stage. I start by stitching the center - pulling it taunt, pinning and pegging it in place with little clips. Then I ease out to each side.

I set each of the panels in place - stitch and glue so they adhere to the lining and don't shift while I'm working.

The gimp goes on next. It's important to think ahead and apply the pieces of gimp in reverse order. Ribbon, matching bias tape, and cording can be used as gimp.

Once the gimp is secured, it's time for the trim/fringe.

And here she is! The light source can be incorporated into the sconce or wired into the wall. The decorative stem is optional.